Neil Kennedy

Neil's pieces are represented in many collections in Southern California and New England. His ceramic pieces range from functional thrown forms to coil and slab-built figurative sculptures. His current clay pieces meld thrown forms, slabs, altering, incising and sculpting. The glazes on the functional pieces, fired in an electric kiln, have been developed to give the surface the depth and beauty traditionally associated with reduction firing. Neil's pieces meld a spiritual simplicity with a figurative rhythm and physical energy. This comes from being a kinetic individual, from a lifetime of playing sports, and his appreciation of Japanese ceramics and classical sculpture. 
 

Brenda Lee Gibson

Brenda  Lee Gibson

California fine artist Brenda Lee Gibson discovered her passion for art at an early age.  Noticing her constant drawing, her intuitive grandmother provided her with a steady stream of supplies, paper, and pencils.  On Brenda’s twelfth birthday, her grandmother gave her a gift that would change her life: a paint-by-number oil painting kit.  No longer confined to paper and pencils, Brenda was seduced by the creamy texture and luminosity of oil paint. 

Brenda Buffalin

I cast most of my work with a lost wax process. I use clay or wax, to create the sculpture and then I finalize the piece as a wax positive. I create a mold that is either baked investment materials or covered in shell casting. The wax is then melted out of that mold. Then I pour molten metal into the cavity where the wax has melted out. The next step is to clean the metal after its cooled and remove all the mold material from its surface. I finish the pieces by grinding, polishing and adding a patina to my metal. I do all my own work and nothing is farmed out to a foundry. 

Dave Wescott

Dave Wescott

Having taught secondary Art for 34 years in the local Rim School District, Dave’s personal journey in art really began with a visit to Santa Fe two decades ago discovering the versatility of pastel, and a technique to apply pastel over watercolor.

He loves the light of New Mexico, the hills of Tuscany, the coast of France, as well as the woods and meadows of Lake Arrowhead and New England. Working from personal photographs, the warm months in Lake Arrowhead and a shaded table on the deck, provides the perfect “outdoor studio”.

Nancy Lutes

Nancy grew up in Pasadena, where she began her art training. She attended Northern Arizona University studying art and physiology. She uses found objects, gathers fallen branches and natural elements to make her baskets unique and one of a kind. She also takes special orders for baskets.  She enjoys designing a special basket that could become a treasured family heirloom.

Michael Utterback

Moving to Lake Arrowhead when he was 13, Michael continued to develop his woodworking skills building things out of whatever he had. Honing his skills at the Art Institute, he began developing his own style using reclaimed materials including Wine Barrels. The Wine Barrel furniture became very popular with friends and family who in turn, encouraged him to sell his creations. "Often I see furniture that is poorly made and I think....I can make that so much better". Is a sentiment that motivates Michael to learn new skills and ultimately leads to new designs. He finds that Wine Barrels lend themselves to furniture design because of the ergonomic natural curve of each stave. 

Debra Holladay

Debra Holladay

Debra’s art career began at age two when she painted on the belly of her cooperative dog with her mother’s red lipstick followed by a crayon wall mural unsuccessfully hidden behind a chest of drawers. After receiving her Bachelor of Fine Arts degree in Advertising Design, she moved to New York City where she studied portrait and figure painting in oils for six years at the Art Student’s League of New York with Hilary H. Holmes. Debra served as his class monitor for nearly four years during that time. In addition, she studied en plein air with Curtis Hansen for three summers in Central Park. Both instructors had studied in the Boston atelier under R.H. Ives Gammell. Debra painted regularly en plein air in Prosect Park, Brooklyn until returning to Southern California in 1996.